Coats
As in the previous decade, in the 1810s the tailcoat remained the fashionable choice for day and evening wear. Cut in across the waistline, straight or in an inverted U, with the front part of the coat skirt removed, single or double breasted, the tailcoat was tailored in fine quality felted wool, in the muted colors of dark blues, greens and browns as preferred by Beau Brummel. Less formal was the Newmarket, or riding coat, also cut away at the front but sloping more gently from the waist to the tails.
Tall collars with large lapels persisted from the previous decade becoming stiff and more rounded, and the overall silhouette was starting to change; the waistline was lowering and becoming more defined, requiring the addition of a waist seam and darts. Padding was beginning to be added to the shoulder for a more triangular, puffed chest that, while much mocked by onlookers, would become the ideal male shape of the Romantic 1820s.
The end of the 1810s also saw the first appearance of the Redingote - a French adoption of the name "riding coat" but not to be confused with the former. This coat was military inspired, with full, knee-length skirts and a fitted waist, and originally with braid trim and buttoning up to a tall stand collar. In the next decade this coat would come to have the same turned-down collar and lapels as the tailcoat, and was the precursor to that staple of Victorian menswear, the frock coat.












